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- Indiana University Press 2015; US$ 27.99
Unlike the benevolent orphan found in Charlie Chaplin's The Kid or the sentimentalized figure of Little Orphan Annie, the orphan in postwar Eastern European cinema takes on a more politically fraught role, embodying the tensions of individuals struggling to recover from war and grappling with an unknown future under Soviet rule. By exploring films... more...
- McFarland & Company, Inc., Publishers 2015; US$ 39.95
In 1945 U.S. Navy photographer Nick Scutti found himself in the Florida Keys on the set of the classic World War II drama They Were Expendable, taking candid shots of director John Ford, stars Robert Montgomery and John Wayne and the supporting cast and crew. Scutti's never before published collection of fully captioned photos provides a unique... more...
- McFarland & Company, Inc., Publishers 2015; US$ 55.00
The 1950s era of science fiction film effectively ended when space flight became a reality with the first manned orbit of Earth in 1962. As the genre's wildly speculative depictions of science and technology gave way to more reality-based representations, relations between male and female characters reflected the changing political and social climates... more...
- Awa Press 2015; US$ 9.99
In the not-so-distant past, hardly anyone had heard of New Zealand, let alone its films. But today there has been a seismic shift. New Zealand film-makers and their films are now winning acclaim in Hollywood and with audiences around the world. Some earn huge global box office returns. Others are chosen for the top film festivals. And American production... more...
- McFarland & Company, Inc., Publishers 2015; US$ 40.00
The 21st century has seen a resurgence of popular interest in the Middle Ages. Television in particular has presented a wide and diverse array of "medieval" offerings. Yet there exists little scholarship on television medievalism. This collection fills the gap with 10 new essays focusing on the depiction of the Middle Ages in popular culture... more...
- NYU Press 1999; US$ 23.80
A Los Angeles Times Bestseller. The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges... more...
- Taylor and Francis 2002; US$ 43.95
British Science Fiction Cinema is the first substantial study of a genre which, despite a sometimes troubled history, has produced some of the best British films, from the prewar classic Things to Come to Alien made in Britain by a British director. The contributors to this rich and provocative collection explore the diverse strangeness of British... more...
- Indiana University Press 2002; US$ 23.95
Genre, Myth, and Convention in the French Cinema, 1929--1939 examines classic French film, exploring and analyzing the cinema as an institution, the textual system to which it gave rise, and the light that such an approach can shed on the process of production and reception of specific films. Colin Crisp... more...
- Taylor and Francis 2002; US$ 42.95
New Documentary: A Critical Introduction provides a comprehensive account of the last two decades of documentary filmmaking in Britain, the US and Europe. Stella Bruzzi's engaging textbook discusses key genres, filmmakers, and issues for the study of non-fiction film and television, including: * key texts such as the Zapruder film of Kennedy's assassination,... more...