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- Columbia University Press 2014; US$ 26.99
Parallel Lines describes how post-9/11 cinema, from Spike Lee?s 25th Hour (2002) to Kathryn Bigelow?s Zero Dark Thirty (2012), relates to different, and competing, versions of US national identity in the aftermath of the September 11th terrorist attacks. The book combines readings of individual films (World Trade Center, United 93, Fahrenheit 9/11,... more...
- McFarland & Company, Inc., Publishers 2014; US$ 45.00
Swedish society underwent great changes during the first decades of the 1900s and the new consumption and entertainment culture came under fire. Children and youth--but also women and the working classes--become symbols of the forces breaking down traditional structures and values. These groups were also identified as the principal audience for the... more...
- Anthem Press 2014; US$ 99.00
Representations of troubled and inhospitable domestic places are a common feature of many cinematic narratives. "Unhomely Cinema" explores how the unhomely nature of contemporary film narrative provides an insight into what it means to dwell in todays global societies. more...
- University of California Press 2014; US$ 29.95
How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to James Cameron?s... more...
- i5 Publishing 2014; US$ 24.95
The horses that captured the moviegoers? hearts are the common denominator in Hollywood Hoofbeats. As author Petrine Day Mitchum writes, “the movies as we know them would be vastly different without horses. There would be no Westerns—no cowboy named John Wayne—no Gone with the Wind, no Ben Hur, no Dances with Wolves…? no War Horse, no True Grit, no... more...
- Wiley 2014; US$ 12.95
In this important new book the leading philosopher Jacques Rancière continues his reflections on the representative power of works of art. How does art render events that have spanned an era? What roles does it assign to those who enacted them or those who were the victims of such events? Rancière considers these questions in relation... more...
- Taylor and Francis 2014; US$ 43.95
The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect. The International Film... more...
- Oxford University Press 2014; US$ 18.99
How is it that a patch of flickering light on a wall can produce experiences that engage our imaginations and can feel totally real? From the vertigo of a skydive to the emotional charge of an unexpected victory or defeat, movies give us some of our most vivid experiences and most lasting memories. They reshape our emotions and worldviews--but why?... more...
- Taylor and Francis 2014; US$ 75.95
From the surrealist films of Luis Buñuel to the colourful melodramas of Pedro Almodóvar, Spain has produced a wealth of exciting and distinctive film-makers who have consistently provided a condoning or dissenting eye on Spanish history and culture. For modern cinema-goers, it has often been the sexually-charged and colourful nature of many contemporary... more...
- The University Press of Kentucky 2014; US$ 40.00
Noted for his charisma, talent, and striking good looks, director Rex Ingram (1893?1950) is ranked alongside D. W. Griffith, Marshall Neilan, and Erich von Stroheim as one of the greatest artists of the silent cinema. Ingram briefly studied sculpture at the Yale University School of Art after emigrating from Ireland to the United States in 1911; but... more...