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Nonbroadcast video recordings

Most popular at the top

  • Portable Videoby Norman Medoff; Edward J. Fink

    Taylor and Francis 2012; US$ 51.95

    Portable Video: ENG and EFP, Fifth Edition" focuses on the techniques and technology of single camera electronic news gathering and electronic field production. Covering everything from basic creative and technical editing techniques to budgets and copyright issues, it is accessible to the home videomaker or amateur and to the professional seeking... more...

  • Video Shooterby Barry Braverman

    Taylor and Francis 2013; US$ 46.95

    Tired of the all the digital filmmaking guidebooks that give you only the nuts and bolts of how to use a camera? The third edition of Video Shooter takes the how-to knowledge a step further by showing you how to craft a story in your video. Barry Braverman is an experienced shooter and filmmaker whose is highly regarded in the field. This book covers... more...

  • The Shut Up and Shoot Documentary Guideby Anthony Q. Artis

    Taylor and Francis 2014; US$ 34.95

    So you want to make a documentary, but think you don't have a lot of time, money, or experience? It's time to get down and dirty! Down and dirty is a filmmaking mindset. It's the mentality that forces you to be creative with your resources. It's about doing more with less. Get started NOW with this book and DVD set, a one-stop shop written by a guerrilla... more...

  • Viewing African Cinema in the Twenty-first Centuryby Mahir Saul; Ralph A. Austen

    Ohio University Press 2010; US$ 21.99

    African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase... more...

  • Video Playtimeby Ann Gray

    Taylor and Francis 2006; US$ 46.95

    The 1980s saw an explosion in the use of the domestic video cassette recorder (VCR), arguably the most significant new form of home entertainment technology since television. In Video Playtime Ann Gray investigates what women themselves felt about the VCR, both in terms of the ways these entertainment facilities were used within their households,... more...

  • Timeshiftby Sean Cubitt

    Taylor and Francis 2003; US$ 43.95

    Focusing on the aesthetics of video, Timeshift tests current semiotic, postmodernist and psychoanalytic approaches in the laboratory of real-life video viewing. more...

  • Subject to Changeby Deirdre Boyle

    Oxford University Press 1997; US$ 59.99

    This is a history of "guerilla television", a form of TV which was part of an alternative media tide sweeping the United States in the 1960s. Inspired by the fracturing issues of the decade and the theories and writings of various exponents, guerilla television put forth "utopian" programming. more...

  • There’s No Place Like Home Videoby James M. Moran

    University of Minnesota Press 2002; US$ 72.00

    In There?s No Place Like Home Video, James Moran offers a history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and home video?s symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the... more...

  • Film and Television After DVDby James Bennett; Tom Brown

    Taylor and Francis 2008; US$ 54.95

    Heralded as "the most significant invention [for film] since the coming of sound" ( The Observer 2003), by 2005 DVD players were in approximately 84 million homes in the US, making it the "fastest selling item in history of US consumer electronics market" (McDonald 2007: 135). This book examines the phenomenal growth of DVDs in relation to the cultures,... more...

  • Video Production Techniquesby Donald L. Diefenbach

    Taylor and Francis 2009; US$ 140.00

    Video Production Techniques begins with the basic skills of video production, so students experience writing, shooting and editing right away. It then moves to short-form projects and in-depth explorations of lighting and sound, concluding with an exploration of documentaries, news, and other nonfiction forms. The final section is dedicated to advanced... more...