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Classical

Most popular at the top

  • Lies and Epiphaniesby Chris Walton

    Boydell & Brewer Group Ltd 2014; US$ 29.15

    Lies and Epiphanies' offers case studies of "inspiration" in five composers -- Richard Wagner, Gustav Mahler, Wilhelm Furtwängler, Richard Strauss, and Alban Berg. Their own tales of their "epiphanies" played a determining role in the reception history of their works: the finale of Mahler's Second Symphony was supposedly inspired by a "lightning bolt"... more...

  • Die Chormusik von Rudolf Mauersbergerby Vitus Froesch

    Tectum Verlag 2014; US$ 27.04

    Bis heute ist Rudolf Mauersberger (1889-1971) in erster Linie durch seine kirchenmusikalische Tätigkeit, insbesondere als Dresdner Kreuzkantor in den Jahren 1930-1971, bekannt. Dass er darüber hinaus selbst Komponist war, ist erst seit wenigen Jahrzehnten auch außerhalb Dresdens einer breiteren Öffentlichkeit bewusst geworden. Einige seiner Kompositionen... more...

  • Neoclassical Music in Americaby R. James Tobin

    Rowman & Littlefield Publishers 2014; US$ 54.99

    In Neoclassical Music in America: Voices of Clarity and Restrain, music reviewer and scholar, R. James Tobin explores the origins and fate of neoclassicism, arguing how efforts to define musical neoclassicism as a style largely fail because of the stylistic diversity of the music that fall within its scope. Tobin surveys the careers of various... more...

  • Chopinby James Huneker

    The Floating Press 1900; US$ 6.99

    Frederic Chopin (1810 - 1849) was one of the most influential musicians of the 19th Century. Discovered as a child-prodigy pianist in his native Poland, he later travelled to France, where he remained after the Polish uprising of 1830-31. There he gave few public performances, but worked as composer and piano teacher. He later became a French citizen... more...

  • Stravinskyby Stephen Walsh

    Knopf Doubleday Publishing Group 2010; US$ 35.00

    This, the second and final volume of Stephen Walsh?s magisterial biography of Igor Stravinsky, begins in 1934, when Stravinsky is fifty-two and living in France. Already regarded by many as the most important composer of his generation, Stravinsky is nevertheless at this point a fairly unhappy expatriate, all too aware of the war clouds beginning to... more...

  • Timpani Tone and the Interpretation of Baroque and Classical Musicby Steven Schweizer

    Oxford University Press, USA 2010; US$ 18.99

    Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing... more...

  • Beethoven: Violin Concertoby Robin Stowell

    Cambridge University Press 1998; US$ 30.00

    The first individual study of Beethoven's Violin Concerto. more...

  • Beethoven's Diabelli Variationsby William Kinderman

    Oxford University Press, USA 2008; US$ 28.99

    The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethoven's most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kinderman's study of... more...

  • Mozartby Robert Gutman

    Random House 2011; US$ 23.76

    Mozart: A Cultural Biography is a fresh interpretation of a musical genius, meticulously researched and gracefully written. It places Mozart's life and music in the context of the intellectual, political, and artistic currents of eighteenth-century Europe. Even as he delves into philosophic and aesthetic questions, Robert Gutman keeps in sight,... more...

  • Dmitri Shostakovichby John Riley

    I.B.Tauris 2004; US$ 32.00

    Between 1929 and 1970, five years before his death, Dmitri Shostakovich wrote almost 40 film scores for most genres of Soviet films, from Stalinist cult epics to classical literary adaptations. His long and distinguished cinema career has hitherto been overlooked. Here, John Riley provides this first account, which examines the scores and their contexts... more...