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- WBG - Wissenschaftliche Buchgesellschaft 2012; US$ 51.15
Descartes' Jugendwerk ?Musicae Compendium? oder zu Deutsch: ?Leitfaden der Musik? liegt hier in einer wunderschönen Ausgabe vor, die eine synoptische Gegenüberstellung des Druckbilds von 1618 und der modern gesetzten Übersetzung bietet. Durch einen einleitenden Kommentar sowie erläuternde Anmerkungen zum Text der deutschsprachigen Übersetzung, besorgt... more...
- Princeton University Press 2011; US$ 42.00
Like his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These writings range from personal memoirs and critical... more...
- Taylor and Francis 2005; US$ 66.95
"The Craft of Modal Counterpoint" is the companion book to Benjamin's "The Craft of Tonal Counterpoint," recently republished in a second edition by Routledge. Modal counterpoint is the style of composition that was employed until the "tonal" revolution pioneered by Bach; it is the basis for most Early Music. Benjamin, a composer and pedagogue, offers... more...
- Taylor and Francis 2013; US$ 52.95
When the first edition of Queering the Pitch was published in early 1994, it was immediately hailed as a landmark and defining work in the new field of Gay Musicology. In light of the explosion of Gay Musicology since 1994, a new edition of Queering the Pitch is timely and needed. In this new work, the editors are including a landmark essay by... more...
- Boydell & Brewer 2014; US$ 80.00
Combining cultural analysis with historical and personal accounts of a century of musical life at the American Academy in Rome, this volume provides a history of the AAR's Rome Prize in Composition. more...
- Taylor and Francis 2012; US$ 130.00
These new essays written specifically for this volume explore the various aspects of Olivier Messiaen's spiritually committed musical language, drawing on his own remarks in subheadings and prefaces, his biblical and theological citations, his allusions to works of visual art, and on the language spoken directly by the musical tropes themselves. more...