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- Oxford University Press 2014; US$ 149.99 US$ 128.99
The concept of musical topics describes the aural cross-references between styles and genres. The Oxford Handbook of Topic Theory grounds this concept in eighteenth-century music theory, aesthetics, and criticism, while also documenting historical reality of individual topics, and relating topical analysis to other methods of analyzing eighteenth-century... more...
- Scribner 2009; US$ 20.99
Each week, the writers of The A.V. Club issue a slightly slanted pop-culture list filled with challenging opinions (Is David Bowie's "Young Americans" nearly ruined by saxophone?) and fascinating facts. Exploring twenty-four great films too painful to watch twice, fourteen tragic movie-masturbation scenes, eighteen songs about crappy cities, and... more...
- Penguin Books Ltd 2012; Not Available
Opera is in many ways the most extraordinary artistic medium of the last four hundred years. Prohibitively expensive and patently unrealistic, it can nevertheless paint the human passions with astonishing power and drama. This book, the first new, full-length, single-volume history of opera for more than a generation provokes in-depth discussions... more...
- University Press of Mississippi 2013; US$ 75.00
To Do This, You Must Know How traces black vocal music instruction and inspiration from the halls of Fisk University to the mining camps of Birmingham and Bessemer, Alabama, and on to Chicago and New Orleans. In the 1870s, the Original Fisk University Jubilee Singers successfully combined Negro spirituals with formal choral music disciplines, and... more...
- University Press of Mississippi 2009; US$ 75.00
The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren?t Scott Joplin?s stately piano rags. ?Coon songs,? with their ugly name, defined ragtime for the masses, and played... more...
- Taylor and Francis 2016; US$ 149.95
As the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts. Helen Abbott examines the verse and prose poetry of these two important poets, together with their critical writings,... more...
- Faber & Faber 2013; US$ 24.78
Gerald Abraham's reputation as an authority on Russian music has tended to obscure his deep interest in the music of Poland and Czechoslovakia, and of the nineteenth-century generally. From a lifetime's devoted scholarship in these fields Abrahams selected his best work to make up this volume (first published in 1968), one of exceptional breadth and... more...
- Princeton University Press 2011; US$ 35.00 US$ 28.00
Edward Elgar (1857-1934) is undoubtedly one of the most fascinating, important, and influential figures in the history of British music. He rose from humble beginnings and achieved fame with music that to this day is beloved by audiences in England, and his work has secured an enduring legacy worldwide. Leading scholars examine the composer's life... more...
- Cambridge University Press 2015; US$ 200.00 US$ 164.00
These volumes present the recently discovered archives of the Erard firm, perhaps the largest record of musical instrument making anywhere. more...
- Faber & Faber 2012; US$ 33.53
A comprehensive guide to the techniques of orchestral playing and the development of non-professional orchestras, Orchestral Performance covers all areas of orchestral music-making - instrumental technique and combination, ensemble, layout, repertoire and presentation. Christopher Adey - renowned specialist in the training of student orchestras... more...