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- Hyperion 2013; US$ 9.99
Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states... more...
- Scarecrow Press 2013; US$ 84.99
In Opera at the Bandstand: Then and Now , George W. Martin surveys the role of concert bands during the nineteenth and early twentieth centuries in making contemporary opera popular. He also chronicles how in part they lost their audience in the second half of the twentieth century by abandoning operatic repertory. more...
- Scarecrow Press 2013; US$ 74.99
The Mélodies of Francis Poulenc is the first work to contain the complete collection of Poulenc mélodies, providing IPA transcriptions and word-for-word translations in an easy reference format. Also included are the highly regarded poetic translations of Winifred Radford. more...
- For Beginners 2013; US$ 16.99
The History of Opera For Beginners is a humorous, little book which starts with the radical assumption that Opera is just plain old music, rather than the highbrow, inaccessible music that everyone assumes it to be. The reader will learn the difference between Italian and German Opera and why you don?t have to study a new language to enjoy Opera.... more...
- University of California Press 2014; US$ 45.00
The Metropolitan has stood among the grandest of opera companies since its birth in 1883. Tracing the offstage/onstage workings of this famed New York institution, Charles Affron and Mirella Jona Affron tell how the Met became and remains a powerful actor on the global cultural scene. In this first new history of the company in thirty years, each of... more...
- Princeton University Press 2014; US$ 29.95
One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated... more...
- Princeton University Press 2014; US$ 47.50
That Wagner conceived of himself creatively as both man and woman is central to an understanding of his life and art. So argues Jean-Jacques Nattiez in this richly insightful work, where he draws from semiology, music criticism, and psychoanalysis to explore such topics as Wagner's theories of music drama, his anti-Semitism, and his psyche. Wagner,... more...