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- Penguin Books Ltd 2012; US$ 48.00
Opera is in many ways the most extraordinary artistic medium of the last four hundred years. Prohibitively expensive and patently unrealistic, it can nevertheless paint the human passions with astonishing power and drama. This book, the first new, full-length, single-volume history of opera for more than a generation provokes in-depth discussions... more...
- Ivan R. Dee 2009; US$ 27.99
Nobody sings like Melba, and nobody ever will, proclaimed the impresario Oscar Hammerstein in 1908. Like many others of his time, he considered her the world's greatest singer. The wild acclaim showered on her by American fans led to the coining of the word Melbamania. Year after year she toured America on the Melba train, bringing opera and concerts... more...
- Scarecrow Press 2000; US$ 43.99
Artistically limited by the bel canto musical tradition popular at the time, Verdi launched a new style dramma per musica which also demanded a new soprano archetype. This book illustrates the musical evolution of the Verdi and Puccini soprano while illuminating the dramatic scope and power of these great heroines. Avoiding critical reductionism,... more...
- Scarecrow Press 2003; US$ 64.99
This entire volume is organized in a clear, readable format, resulting in a book that will help to make productions of The Cunning Little Vixen in the original Czech much easier a task than ever before. more...
- Scarecrow Press 1991; US$ 69.99
Now in Paper! An invaluable reference text for singers, teachers, and vocal and operatic coaches, this volume contains the complete song texts of the songs for voice and piano by Chausson, Debussy, Duparc, Faure, and Ravel. Available in paperback in 2001. more...
- Scarecrow Press 2013; US$ 92.99
In Opera at the Bandstand: Then and Now , George W. Martin surveys the role of concert bands during the nineteenth and early twentieth centuries in making contemporary opera popular. He also chronicles how in part they lost their audience in the second half of the twentieth century by abandoning operatic repertory. more...
- Princeton University Press 2014; US$ 47.50
That Wagner conceived of himself creatively as both man and woman is central to an understanding of his life and art. So argues Jean-Jacques Nattiez in this richly insightful work, where he draws from semiology, music criticism, and psychoanalysis to explore such topics as Wagner's theories of music drama, his anti-Semitism, and his psyche. Wagner,... more...
- Knopf Doubleday Publishing Group 2014; US$ 30.00
Thirty Years' Musical Recollections, first published in 1862, is a year-by-year commentary on the European operas, ballets, singers and dancers popular in London from 1830 to 1859. Its author was music critic of The Athaneum for over thirty years and also wrote book reviews, novels, plays and poems. Volume 2 covers the period 1847?1859 and serves as... more...