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- OBERON BOOKS Ltd 2013; US$ 9.99
The Royal Opera House receives over 1 million visitors a year. Published jointly by the ROH and Oberon Books, this is the first ever guide to the magnificently rebuilt theatre. The guide covers the fascinating and turbulent history of the theatre at Covent Garden since the early 18th century, its recent redevelopment, the majestic auditorium and Linbury... more...
- Princeton University Press 2014; US$ 39.95 US$ 36.35
In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music's realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle... more...
- Princeton University Press 1996; US$ 55.00 US$ 50.05
Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context,... more...
- Penguin Books Ltd 2012; US$ 23.96
Opera is in many ways the most extraordinary artistic medium of the last four hundred years. Prohibitively expensive and patently unrealistic, it can nevertheless paint the human passions with astonishing power and drama. This book, the first new, full-length, single-volume history of opera for more than a generation provokes in-depth discussions... more...
- Faber & Faber 2011; US$ 18.95
' Sometimes I liken the creative act to that of being a good gardener. The musical material itself, the harmonies, rhythms, the timbres and tempi, are seeds you have planted. Composing, bringing forth the final formal arrangement of these elements, is often a business of watching them grow, knowing when to nourish and water them and when to prune... more...
- University of Minnesota Press 1963; US$ 24.00
Though it has often been passionately criticized--as fraudulent, exploitative, even pagan--the American funeral home has become nearly as inevitable as death itself, an institution firmly embedded in our culture. But how did the funeral home come to hold such a position? What is its history? And is it guilty of the charges sometimes leveled against... more...
- University of California Press 2014; US$ 45.00
The Metropolitan has stood among the grandest of opera companies since its birth in 1883. Tracing the offstage/onstage workings of this famed New York institution, Charles Affron and Mirella Jona Affron tell how the Met became and remains a powerful actor on the global cultural scene. In this first new history of the company in thirty years, each of... more...
- Palgrave Macmillan 2010; US$ 120.00
This book presents the current and future issues facing opera houses and opera companies. Problems in different environments need different solutions. In particular, it opposes the American method of managing cultural institutions, preferring a European one where public support and funds plays a major role. more...
- Oxford University Press 2002; US$ 21.99
After exhaustive research into the D'Oyly Carte collection of documents, Ainger offers the most detailed account to date of Gilbert and Sullivan's starkly different backgrounds and long working partnership. "A Gilbert is of no use without a Sullivan," W. S. Gilbert once summed up his reasons for persisting in his collaboration with Arthur Sullivan... more...
- Elsevier Science 2005; US$ 72.95
"Lois Alba is a master teacher, ...I have never seen a vocal instructor who got such remarkable results in such a short time." - Irene Dalis, General Director, Opera San Jose Achieving a successful singing career, especially in opera, can seem almost impossible to many singers because of fear of high notes, lack of projection, and confusion on... more...