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- Crown/Archetype 2002; US$ 12.95
really want to know about the man who continues to leave generations of females ?All Shook Up.? ?It?s just like being in junior high again. This book offers the scoop on Elvis?s way with women?the wives, the girlfriends, the screaming fans?and leaves plenty of room for ever important hair and wardrobe discussions...[and] films and concert highlights... more...
- Cambridge University Press 2015; US$ 200.00
These volumes present the recently discovered archives of the Erard firm, perhaps the largest record of musical instrument making anywhere. more...
- Palgrave Macmillan 2015; US$ 95.00
New Wave: Image is Everythin g traces the evolution of the often neglected pop music genre, new wave. Using artists from Elvis Costello to Cyndi Lauper as illustrations, the book argues that new wave was among the first flowerings of postmodern theory in popular culture. more...
- Oxford University Press, USA 2009; US$ 22.99
List of contributors. Introduction: Avant-garde Music and the Sixties. 1. Avant-garde-Some Introductory Notes on the Politics of a Label. 2. "Demolish Serious Culture!": Henry Flynt and Workers World Party. 3. Forms of Opposition at the 'Politiek-Demonstratief Experimenteel' Concert. 4. Aesthetic Theories and Revolutionary Practice:... more...
- Taylor and Francis 2014; US$ 52.95
The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumptions and prejudices influence the presentation of ethnographic data? Even the term "African music" suggests there is an agreed-upon meaning, but African music signifies differently to different... more...
- Cambridge University Press 1995; US$ 60.00
An English translation with commentary of an important first treatise on singing by Agricola. more...
- Faber & Faber 2012; US$ 18.94
"W - Sweeney called me and said that Johnny Cash just recorded ' I See A Darkness.' We had a Bowery Ballroom show a week or two later, and he invited Rick Rubin to come to the show; he came to the show . . . and asked if I wanted to play piano on the song. A - Which you agreed to do despite not knowing how to play piano. W - Yes . . . A man who... more...