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Most popular at the top
- Wilfrid Laurier University Press 2014; US$ 12.99
The seemingly simple notion presented by this book?that the acoustic phenomena we encounter in concert are, by nature, different from those we encounter when we listen to records?should have profound consequences for the way everyone, from musicologists to rock stars, considers recording practice. more...
- Taylor and Francis 2016; US$ 69.95
This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative, and professional contexts. We solicit the perspectives of scholars of every disciplinary stripe, alongside recordists and recording... more...
- Course Technology PTR 2009; US$ 34.99
With the rise digital recording software and the advent of the one man computer music studio there has been an astronomical rise in the number of people with software instruments, but many of these musicians have no idea how to use the modular synthesizers included with their music software programs. Becoming a Synthesizer Wizard:... more...
- Taylor and Francis 2013; US$ 150.00
Handbook for Sound Engineers is the most comprehensive reference available for audio engineers. All audio topics are explored: if you work on anything related to audio you should not be without this book! The 4th edition of this trusted reference has been updated to reflect changes in the industry since the publication of the 3rd edition in 2002 --... more...
- Course Technology PTR 2010; US$ 39.99
Veteran music journalist Rick Clark conducted hundreds of revealing interviews with some of the biggest names in the industry to create this extraordinary book. Tony Visconti, Phil Ramone, Richard Dodd, Jim Scott, and David Kershenbaum are just a few of the 115 contributors who share their special studio practices, tips, and anecdotes. A truly thorough... more...
- Course Technology PTR 2010; US$ 29.99
Historically, the music industry has not been very environmentally conscious. There is a lot of waste, too little recycling, and (let's admit it) a tremendous amount of energy expended. This book is designed to provide background information and tools to help musicians, producers, engineers, and other music enthusiasts become more sustainable and... more...
- Ebury Publishing 2009; US$ 23.96
How do I get my music played on the radio? Do I really need my own website - can't I just use MySpace? How do I copyright and license my songs? The DIY Music Manual has the answers to these questions ... and more. Over the last couple of years, the face of independent music has changed completely. With the rise of websites such as MySpace and iTunes,... more...
- St. Martin's Press 2009; US$ 12.59
In the three decades since Kool Herc first put the same record on two side-by-side turntables, DJs have moved out of city parks, house and block parties, and the darkened booths of nightclubs, and onto center stage, performing before admiring crowds of thousands. They have not only given rise to hip-hop and house?DJs have influenced fashion, film,... more...
- Taylor and Francis 2012; US$ 52.95
Music Technology and the Project Studio: Synthesis and Sampling provides clear explanations of synthesis and sampling techniques and how to use them effectively and creatively. Starting with analog-style synthesis as a basic model, this textbook explores in detail how messages from a MIDI controller or sequencer are used to control elements of a... more...