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Most popular at the top

  • The Actor, Image, and Actionby Rhonda Blair

    Taylor and Francis 2007; US$ 45.95

    The Actor, Image and Action is a 'new generation' approach to the craft of acting; the first full-length study of actor training using the insights of cognitive neuroscience. In a brilliant reassessment of both the practice and theory of acting, Rhonda Blair examines the physiological relationship between bodily action and emotional experience.... more...

  • Actingby Richard Boleslavsky

    Taylor and Francis 2004; US$ 27.95

    This classic work on acting is one of the very few that stands beside Stanislavsky as a must-have for all acting students and professionals. Richard Boleslavsky's Acting: The First Six Lessons is a treasure-box of wise observation about the art of acting, all wrapped up in six charming dialogues between a teacher and a student. Generations of actors... more...

  • Embodied Actingby Rick Kemp

    Taylor and Francis 2012; US$ 34.95

    ?A focus on the body, its actions, and its cognitive mechanisms identifies ... foundational principles of activity that link the three elements of theatre; Story, Space, and Time. The three meet in, are defined by, and expressed through the actor?s body.? ? from the Introduction? Embodied Acting is an essential, pragmatic intervention in... more...

  • How to Be a Working Actor, 5th Editionby Mari Lyn Henry; Lynne Rogers; Joe Mantegna

    Potter/TenSpeed/Harmony 2010; US$ 19.95

    The celebrated survival guide for the working actor - now completely updated and expanded with a foreword by Tony award-winning actor Joe Mantegna! Renowned for more than two decades as the most comprehensive resource for actors, How to Be a Working Actor is a must-read for achieving success in The Business. Now this "Bible of the Biz" has been... more...

  • Acting A to Z (Revised Second Edition)by Katherine Mayfield

    Potter/TenSpeed/Harmony 2010; US$ 16.95

    Lots of kids want to be actors. Thousands of them. Millions of them. The ones who are serious need a copy of Acting A to Z . Industry insider Katherine Mayfield explains exactly what it's like to be an actor, including what kind of training the young person will need, comparisons of the different types of acting, how to find work, how to prepare for... more...

  • Actor's Wayby Erik Exe Christoffersen; Richard Fowler

    Routledge 1993; US$ 47.95

    A fascinating account of personal and professional development in the theatre. Under the unique direction of Eugenio Barba, four experienced actors talk about the secrets and the practical realities of training. more...

  • Performing Processesby Roberta Mock

    Intellect 2000; US$ 10.00

    Live performance continues to be created every time it is performed. This book explores the dynamic relationship between creative process, presentation and spectator response to provide students and scholars in Drama with new insights on performance from poetry to pantomime. These essays make parallels between areas of performance that are rarely,... more...

  • And then, you actby Anne Bogart

    Taylor and Francis 2007; US$ 38.95

    From well-known auteur of the American theatre scene, Anne Bogart, And Then, You Act is a fascinating and accessible book about directing theatre, acting and the collaborative creative process. Writing clearly and passionately, Bogart speaks to a wide audience, from undergraduates to practitioners, and makes an invaluable contribution to the... more...

  • The Complete Idiot's Guide to Actingby John Malone; Paul Baldwin

    DK Publishing 2001; US$ 18.95

    You're no idiot, of course. You've got tons of talent, but when it comes to bringing it centerstage you feel like you're just winging it. You love the smell of the greasepaint and the roar of the crowd, but you're not sure how to follow your dream. Don't overreact! 'The Complete Idiot's Guide to Acting' will help you hone your thespain skills... more...

  • An Acrobat of the Heartby Stephen Wangh

    Knopf Doubleday Publishing Group 2010; US$ 16.00

    A Vintage Original "The actor will do, in public, what is considered impossible." When the renowned Polish director Jerzy Grotowski began his 1967 American workshop with these words, his students were stunned. But within four weeks they themselves had experienced the "impossible." In An Acrobat of the Heart , teacher-director-playwright Stephen... more...