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- Palgrave Macmillan 2012; US$ 40.00
This cutting-edge title explores how narrating the past both conflicts and creates an interesting relationship with drama's 'continuing present' that arcs towards an unpredictable future. Theatre both brings the past alive and also fixes it, but through the performance process, allowing the past to be molded for future (not-yet-existent) audiences. more...
- Penguin Group US 1991; US$ 16.00
A diverse collection of monologues featuring the voices of women through the ages Drawn from poetry, fiction, diaries, journals, and documents of public record, these selections, although not originally intended for theatrical or cinematic performances, offer unique dramatic opportunities for actors, speakers, students, or anyone interested in... more...
- Penguin Group US 1988; US$ 16.00
A challenging, wide-ranging collection of monologues from history?s greatest dramatic works From the stately and poetic Greek tragedies to the lively, bawdy Restoration comedies, the classical repertoire is a treasure trove of often-overlooked materials for male and female, young and old. The solo pieces collected here vary widely in mood, style,... more...
- Taylor and Francis 2004; US$ 36.95
This text offers a concise guide to the teaching and philosophy of one of the most significant figures in twentieth century actor training. Lecoq's influence on the theatre of the latter half of the twentieth century cannot be overestimated. This is the first book to combine an historical introduction to his life and the context in which he... more...
- Taylor and Francis 2006; US$ 24.95
This approach, honed after years of on-set experience and from teaching at UCLA, NYU, and Columbia, and endorsed by many in the industry, including director Ang Lee (Brokeback Mountain and Crouching Tiger, Hidden Dragon) and producer/actor Edward Asner, aims to provide a helpful reference and resource for directors and actors alike. It combines underlying... more...
- University of Iowa Press 2005; US$ 29.95
The idea that actors are hypocrites and fakes and therefore dangerous to society was widespread in the seventeenth and eighteenth centuries. Fangs of Malice examines the equation between the vice of hypocrisy and the craft of acting as it appears in antitheatrical tracts, in popular and high culture, and especially in plays of the period. Rousseau... more...
- Taylor and Francis 2008; US$ 42.95
Focusing on examples of live performance in drama, dance, opera and light entertainment, Jane Goodall explores a characteristic as compelling and enigmatic as the performers who demonstrate it. The mysterious quality of ?presence? in a performer has strong resonances with the uncanny. It is associated with primal, animal qualities in human individuals,... more...
- Taylor and Francis 2010; US$ 45.95
This new edition of Twentieth Century Actor Training is an indispensable introduction to how actor training shapes modern theatre. Its coverage of key practitioners and movements is enhanced by the inclusion of eight more practitioners and forty more photographs. more...
- Intellect 2010; US$ 20.00
There have been many books published on acting, actor training, and practical theories for preparing for a role, but none of these books have ever looked philosophically at the language and the concepts that we use when we talk about acting. The Philosophical Actor is the first attempt to grapple with the fundamental questions of truth, art, and human... more...