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- Princeton Book Company 2004; US$ 11.95
Modern Dance Techniques and Teaching is truly one of a kind: it is the only book to be published documenting Martha Graham's movement philosophy, as recorded by two of Graham's original followers. The purpose of the book, according to its authors, is "to analyze, illustrate and organize for teaching purposes some of the vocabulary (techniques) of... more...
- Ashgate Publishing Ltd 2014; US$ 104.95
Through an analysis both broad and deep of primary and secondary sources, ethnography, iconography and current performance practice, this enquiry undertakes a critical approach to the history of kathak dance and presents new data about hereditary performing artists, gendered contexts and practices, and postcolonial cultural reclamation. The account... more...
- Rowman & Littlefield Publishers 2014; US$ 28.99
Dancing to Learn: Cognition, Emotion, and Movement explores the rationale for dance as a medium of learning to help engage educators and scientists to explore the underpinnings of dance, and dancers as well as members of the general public who are curious about new ways of comprehending dance. more...
- Hamilton Books 2009; US$ 26.99
This book develops a rubric that can assist colleges, universities, and communities in providing stronger outcomes for students seeking a career path in dance. This study will serve as a catalyst for inter-academic dialogue to strengthen and advocate the integrity and position of dance education in American colleges and universities. more...
- University Press of Florida 2012; US$ 24.99
Soloists ignited the modern dance movement and have been a source of its constant renewal. Pioneering dancers such as Loïe Fuller, Isadora Duncan, Ruth St. Denis, and Maud Allan embodied the abstraction and individuality of the larger modernist movement while making astounding contributions to their art. Nevertheless, solo dancers have received far... more...
- Rutgers University Press 2014; US$ 32.95
At some point in their career, nearly all the dancers who worked with George Balanchine were told ?don?t act, dear; just dance.? The dancers understood this as a warning against melodramatic over-interpretation and an assurance that they had all the tools they needed to do justice to the steps?but its implication that to dance is already to act in... more...
- John Blake Publishing 2014; US$ 14.57
On the eve of the Great War, they had the world at – and watching – their feet. If God is in the details, they were divine. Vernon and Irene Castle were the world?s first true celebrity couple. He, an Englishman, was tall and slim, as poised as an elegant evening out, a template for the Hollywood idols who would follow. In a staid age, she, a New... more...