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Most popular at the top
- University of Chicago Press 2012; US$ 18.00
Time and Narrative builds on Paul Ricoeur's earlier analysis, in The Rule of Metaphor , of semantic innovation at the level of the sentence. Ricoeur here examines the creation of meaning at the textual level, with narrative rather than metaphor as the ruling concern. Ricoeur finds a "healthy circle" between time and narrative: time is humanized... more...
- De Gruyter 2015; US$ 140.00
Initiating a transgeneric, intermedial and interdisciplinary approach to narrative unreliability, this volume is meant to enrich, modify and refine our understanding of (un)reliable narration by taking into account research in a variety of fields. The three sections of the volume comprise articles on the theory of unreliable narration,... more...
- Narr Francke Attempto 2012; US$ 64.89
Die Frage nach dem Zusammenspiel von Theater und Bild lässt sich nicht losgelöst von den medialen Komponenten beantworten, in denen dieses Zusammenspiel gegeben ist. Gleichzeitig ist es von ästhetischen Überschreitungen oder auch verschiedenen ästhetischen Einstellungen bestimmt, die nichtselten mit Medienwechseln oder auch dem Einsatz neuer Technologien... more...
- University of Iowa Press 2009; US$ 29.95
Historians of theatre face the same temptations and challenges as other historians: they negotiate assumptions (their own and those of others) about national identity and national character; they decide what events and actors to highlight--or omit--and what framework and perspective to use for telling the story. Personal biases, trends in scholarship,... more...
- F+W Media 2011; US$ 16.99
Give your story a solid foundation?a plot that engages readers from start to finish! The best stories linger in the hearts and minds of readers for decades. These tales gain their power through plots that connect with the audience on both an emotional and intellectual level. Inside Ronald B. Tobias details these 20 time-tested plots. Each is... more...
- Taylor and Francis 2015; US$ 47.95
'Actors always talk about what the audience does. I don?t understand, we are just sitting here.' Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research... more...
- Taylor and Francis 2014; US$ 44.95
Cold War Theatre, first published in 1992, provides an account of the theatrical history within the context of East/West politics. Its geographical span ranges from beyond the Urals to the Pacific Coast of the US, and asks whether the Cold War confrontation was not in part due to the cultural climate of Europe. Taking the McCarthy era as its starting... more...
- Taylor and Francis 2013; US$ 50.95
?We have good reason to be wary of mise en scène, but that is all the more reason to question this wariness ... it seems that images from a performance come back to haunt us, as if to prolong and transform our experience as spectators, as if to force us to rethink the event, to return to our pleasure or our terror.? ? Patrice Pavis, from the foreword... more...
- Palgrave Macmillan 2013; US$ 90.00
Collective creation - the practice of collaboratively devising works of performance - rose to prominence not simply as a performance making method, but as an institutional model. By examining theatre practices in Europe and North America, this book explores collective creation's roots in the theatrical experiments of the early twentieth century. more...
- SAGE Publications 1999; US$ 55.00
The sixth volume in this series provides: guides for doing qualitative research; analysis of several autobiographies; hints on how to interpret what is not said in narrative interviews; discussion on how cultural meanings and values are transmitted across generations; and illustrations of the transformational power of stories. more...