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  • A History of Collective Creationby Kathryn Mederos Syssoyeva; Scott Proudfit

    Palgrave Macmillan 2013; US$ 90.00

    Collective creation - the practice of collaboratively devising works of performance - rose to prominence not simply as a performance making method, but as an institutional model. By examining theatre practices in Europe and North America, this book explores collective creation's roots in the theatrical experiments of the early twentieth century. more...

  • Cold War Theatre (Routledge Revivals)by John Elsom

    Taylor and Francis 2014; US$ 44.95

    Cold War Theatre, first published in 1992, provides an account of the theatrical history within the context of East/West politics. Its geographical span ranges from beyond the Urals to the Pacific Coast of the US, and asks whether the Cold War confrontation was not in part due to the cultural climate of Europe. Taking the McCarthy era as its starting... more...

  • Audience as Performerby Caroline Heim

    Taylor and Francis 2015; US$ 47.95

    'Actors always talk about what the audience does. I don?t understand, we are just sitting here.' Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research... more...

  • Performance Theatre and the Poetics of Failureby Sara Jane Bailes

    Taylor and Francis 2011; US$ 47.95

    What does it mean to "fail" in performance? How might staging failure reveal theatre?s potential to expand our understanding of social, political and everyday reality? What can we learn from performances that expose and then celebrate their ability to fail? In Performance Theatre and the Poetics of Failure , Sara Jane Bailes begins with Samuel... more...

  • Theatre & Performance in Small Nationsby Steve Blandford

    Intellect Books Ltd 2013; US$ 32.00

    Many commentators have routinely referred to theatre and, to an extent, all forms of live performance as particularly appropriate to the discussion of national identity. Put simply, the act of live performance itself draws attention to the idea that identities are performed and that different versions of identity can compete for our attention or allegiance.... more...

  • Narrative in Cultureby Cristopher Nash

    Taylor and Francis 2005; US$ 46.95

    First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company. more...

  • The First Five Pagesby Noah Lukeman

    Touchstone 2010; US$ 16.00

    IF YOU'RE TIRED OF REJECTION, THIS IS THE BOOK FOR YOU. Whether you are a novice writer or a veteran who has already had your work published, rejection is often a frustrating reality. Literary agents and editors receive and reject hundreds of manuscripts each month. While it's the job of these publishing professionals to be discriminating, it's... more...

  • Stimme(n) im Textby Andreas Blödorn; Daniela Langer; Michael Scheffel

    De Gruyter 2006; US$ 179.66

    The volume sounds out the methodological potential of the central narratological category of ?voice? in its relation to ?person? and specifies this category principally against the background of Genette and Bachtin. In addition to papers with a theoretical orientation, there are also case studies, which are always linked with more general... more...

  • How Ficta Follow Fictionby Alberto Voltolini

    Springer Netherlands 2006; US$ 190.94

    This book is devoted to fictional entities or, to be more precise, fictional entities as they emerge from the literary process of storytelling. They encompass the great immortal figures in human literature?Don Quixote, Faust, Sherlock Holmes and so on?as well as the protagonists of single novels such as Anna Karenina, Emma Woodhouse and Emma Bovary... more...

  • Man’s Changing Maskby Charles Child Walcutt

    University of Minnesota Press 1966; US$ 72.00

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