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- Columbia University Press 2008; US$ 29.99
Narrative is a powerful element of human culture, storing and sharing the cherished parts of our personal memories and giving structure to our laws, entertainment, and history. We experience narrative in words, pictures, and film, yet regardless of how the tale is told, story remains independent from the media that makes it concrete. Narrative follows... more...
- De Gruyter 2012; US$ 154.00
The term ?narrativity? has gained considerable currency. But what does it actually mean? This is the question considered in the articles by linguists, media scholars, psychologists and other specialist academics that are compiled in this volume. They reveal the diversity of ways in which this term is used and describe various methods of delineation.... more...
- Taylor and Francis 2011; US$ 47.95
What does it mean to "fail" in performance, or more accurately, to stage failure in performance? What do performances that are founded upon the collapse of their own invention illuminate that other modes of theatre usually conceal? This book examines these questions through theoretical and archival modes of investigation. more...
- Running Press 2012; US$ 30.00
?When Dave Garroway welcomed viewers to Today on that day in 1952, he ushered in a new era in broadcasting. . . . It was a place where viewers could turn to each morning to satisfy their appetite for all things news and information. It was a destination for the curious to learn more about what had happened overnight and how the day ahead might shape... more...
- Palgrave Macmillan 2012; US$ 40.00
This cutting-edge title explores how narrating the past both conflicts and creates an interesting relationship with drama's 'continuing present' that arcs towards an unpredictable future. Theatre both brings the past alive and also fixes it, but through the performance process, allowing the past to be molded for future (not-yet-existent) audiences. more...
- UNP - Nebraska Paperback 2013; US$ 30.00
How do narratives draw on our memory capacity? How is our attention guided when we are reading a literary narrative? What kind of empathy is triggered by intercultural novels? A cast of international scholars explores these and other questions from an interdisciplinary perspective in Stories and Minds , a collection of essays that discusses cutting-edge... more...
- Intellect 2013; US$ 20.00
Many commentators have routinely referred to theatre and, to an extent, all forms of live performance as particularly appropriate to the discussion of national identity. Put simply, the act of live performance itself draws attention to the idea that identities are performed and that different versions of identity can compete for our attention or allegiance.... more...
- Taylor and Francis 2014; US$ 115.00
Since before the dawn of history, people have been telling stories to each other and to themselves. Thus stories are at the root of human experience. This volume describes empirical investigations by Jerome Bruner, Wallace Chafe, David Olson, and others on the relationship between stories and cognition. Using philosophical, linguistic, anthropological,... more...
- Ivan R. Dee 1991; US$ 18.99
Focusing on Ibsen, Strindberg, Chekhov, Shaw, Brecht, Pirandello, O?Neill, and Genet, Mr. Brustein uncovers the roots of the modern theatre in the soil of the rebellion they cultivated. ?One of the standard and decisive books on the modern theater.?? New York Times . more...
- University of Iowa Press 2010; US$ 29.95
How do historians represent the past? How do theatre historians represent performance events? The fifteen challenging essays in Representing the Past: Essays in Performance Historiography focus on the fundamental epistemological conditions and procedures that serve as the foundational ideas that guide all historians in their endeavors. Unified by their... more...