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  • 20 Master Plotsby Ronald B Tobias

    F+W Media 2011; US$ 16.99

    Give your story a solid foundation?a plot that engages readers from start to finish! The best stories linger in the hearts and minds of readers for decades. These tales gain their power through plots that connect with the audience on both an emotional and intellectual level. Inside Ronald B. Tobias details these 20 time-tested plots. Each is... more...

  • Audience as Performerby Caroline Heim

    Taylor and Francis 2015; US$ 39.95

    'Actors always talk about what the audience does. I don?t understand, we are just sitting here.' Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research... more...

  • Author and Narratorby Dorothee Birke; Tilmann Köppe

    De Gruyter 2015; US$ 140.00

    The distinction between author and narrator is one of the cornerstones of narrative theory. In the past two decades, however, scope, implications and consequences of this distinction have become the subjects of debate. This volume offers contributions to these debates from different vantage points: literary studies, linguistics, philosophy,... more...

  • Automatische Erkennung von Redewiedergabeby Annelen Brunner

    De Gruyter 2015; US$ 140.00

    This study from the discipline of the digital humanities takes a new approach to examine a familiar narratological phenomenon. It investigates how to identify the representation of speech, thought, and writing in narrative texts using digital methods. It thus takes a step toward narratological studies that include large quantities of text,... more...

  • Basic Elements of Narrativeby David Herman

    Wiley 2011; US$ 39.95

    Basic Elements of Narrative outlines a way of thinking about what narrative is and how to identify its basic elements across the many communicative media in which stories are told and interpreted, exchanged and transformed. Providing a synopsis of key concepts developed by previous theorists, the book contributes original ideas to the growing body... more...

  • Basic Elements of Narrativeby David Herman

    John Wiley & Sons, Ltd. 2009; US$ 93.95

    Basic Elements of Narrative outlines a way of thinking about what narrative is and how to identify its basic elements across various media, introducing key concepts developed by previous theorists and contributing original ideas to the growing body of scholarship on stories. Includes an overview of recent developments in narrative scholarship Provides... more...

  • Bastard or Playmate?by Robrecht Vanderbeeken; Christel Stalpaert; David Depestel; Boris Debackere

    Amsterdam University Press 2012; US$ 35.00

    This fascinating volume explores the theme of mutating and adapting media in its relation to theatre and performance. Bringing together international scholars and artists, the editors offer a comprehensive overview of the changing nature of theater, focusing on interactivity, corporeality, liveness, surveillance, spectacle, performativity, and theatricality.... more...

  • Cold War Theatre (Routledge Revivals)by John Elsom

    Taylor and Francis 2015; US$ 44.95

    Cold War Theatre, first published in 1992, provides an account of the theatrical history within the context of East/West politics. Its geographical span ranges from beyond the Urals to the Pacific Coast of the US, and asks whether the Cold War confrontation was not in part due to the cultural climate of Europe. Taking the McCarthy era as its... more...

  • A Companion to Narrative Theoryby Peter J. Rabinowitz; James Phelan

    Wiley 2008; US$ 226.95

    "Written by major narrative theorists, these essays are original to this volume and are impressively accessible. The editors include ample notes, suggestions for further reading, and a brief glossary. Highly recommended." Choice more...

  • Contemporary Mise en Scèneby Patrice Pavis

    Taylor and Francis 2013; US$ 45.95

    ?We have good reason to be wary of mise en scène, but that is all the more reason to question this wariness ... it seems that images from a performance come back to haunt us, as if to prolong and transform our experience as spectators, as if to force us to rethink the event, to return to our pleasure or our terror.? ? Patrice Pavis, from the foreword... more...