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- Palgrave Macmillan 2012; US$ 100.00
How is performer-object interaction enacted and perceived in the theatre? How thereby are varieties of 'meaning' also enacted and perceived? Using cognitive theory and ecological ontology, Paavolainen investigates how the interplay of actors and objects affords a degree of enjoyment and understanding, whether or not the viewer speaks the language.... more...
- transcript 2014; US$ 28.80
In der Theater- und Performancekunst lässt sich eine Inszenierungstendenz verfolgen, die sich durch die wechselseitige Sichtbarmachung von Aufführungsteilnehmern auszeichnet. Entsprechend wird der Betrachterblick nicht nur für die visuelle Wahrnehmung, sondern auch für soziale Partizipation konstitutiv. Adam Czirak fragt, inwieweit die Idealvorstellung... more...
- Taylor and Francis 2003; US$ 49.95
In The Future of Ritual , Richard Schechner explores the nature of ritualised behaviour and its relationship to performance and politics. A brilliant and uncontainable examination of cultural expression and communal action, The Future of Ritual asks pertinent questions about art, theatre and the changing meaning of 'culture' in today's intercultural... more...
- Taylor and Francis 2003; US$ 53.95
Alan Read asserts that there is no split between the practice and theory of theatre, but a divide between the written and the unwritten. In this revealing book, he sets out to retrieve the theatre of spontaneity and tactics, which grows out of the experience of everyday life. It is a theatre which defines itself in terms of people and places rather... more...
- Taylor and Francis 2004; US$ 24.95
Few have had quite as much impact in both the academy and in the world of theatre production as Richard Schechner. For more than four decades his work has challenged conventional definitions of theatre, ritual and performance. When this seminal collection first appeared, Schechner's approach was not only novel, it was revolutionary: drama is not just... more...
- University of Minnesota Press 2002; US$ 72.00
Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau?his directing, writing, and criticism?has been a determining force during this period as theater encounters theory. more...
- Fordham University Press 2004; US$ 24.99
Ever since Aristotle's Poetics, both the theory and the practice of theater have been governed by the assumption that it is a form of representation dominated by what Aristotle calls the "mythos," or the "plot." This conception of theater has subordinated characteristics related to the theatrical medium, such as the process... more...