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- University Press of Mississippi 2011; US$ 35.00
Barbara Stanwyck (1907-1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women-and America's highest paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck... more...
- University of Alabama Press 2010; US$ 29.95
To mark the thirtieth anniversary of the Theatre History Studies journal, editor Rhona Justice-Malloy and the Mid-America Theatre Conference have collected a special-themed volume covering the past and present of African and African American theatre. Topics included range from modern theatrical trends and challenges in Zimbabwe and Kenya, and... more...
- John Blake 2011; US$ 17.99
With no fewer than three gongs at the 2011 British Comedy Awards, Miranda Hart was crowned the Queen of Comedy. She had become something of a national treasure, yet thrust into the nation's living rooms (and hearts) with her self-titled sitcom, her success did not happen over night. For the first time, author Sophie Johnson reveals the story behind... more...
- University of Iowa Press 1998; US$ 25.95
But who was Donna Reed? Perhaps no celebrity of her symbolic importance is so little known. Moving from the backroads of Iowa to the mansions of Bel Air, Jay Fultz goes in search of the woman behind the image. In Search of Donna Reed reveals a woman whose intelligence and force of character often put her at odds with the roles she portrayed... more...
- University of Iowa Press 1992; US$ 42.95
The middle years of the nineteenth century were a time of dynamic artistic and social changes in America. Now, Melodramatic Formations is the first study to trace these changes in popular stage melodrama's production, dramatic form, and audience reception. Bruce McConachie shows how the theatrical mutability that characterized the years 1820 to... more...
- University of Iowa Press 1994; US$ 29.95
How, why, and according to whose definitions and requirements does a culture self-consciously create memory and project its fate? In this remarkable book—the first in English to treat Russian history as theatre and cultural performance—Spencer Golub reveals the performative nature of Russian history in the twentieth century and the... more...
- University of Iowa Press 1753; US$ 29.95
The Theatrical Event discusses the objectives of theatre studies by focusing on the communicative encounter between performer and spectator—the theatrical event. A theatrical event includes the presentation of a performance and the attention of an audience; in this sense, every performance—on stage or in the street, historical... more...
- University of Iowa Press 2010; US$ 29.95
While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish... more...
- University of Iowa Press 2008; US$ 29.95
Today?s successful plays and playwrights achieve their prominence not simply because of their intrinsic merit but because of the work of mediators, who influence the whole trajectory of a playwright?s or a theatre company?s career. Critics and academic writers are primarily considered the makers of reputations, but funding organizations and various... more...