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  • Observing Theatreby Daniel Meyer-Dinkgräfe

    Editions Rodopi 2013; US$ 63.00

    Daniel Meyer-Dinkgräfe and co-authors take the exploration of the subjective dimension of theatre, its spiritual context, its relation to consciousness and natural law, further than ever before, thanks to the context provided by the thinking of German geobiologist Hans Binder. We present relevant aspects of Binder?s approach as precisely as possible,... more...

  • Philosophy and Theatre: An Introductionby Tom Stern

    Taylor and Francis 2013; US$ 34.95

    Philosophy and Theatre is the first introduction to the topic, and an ideal starting point for those studying philosophy, theatre studies and related arts subjects. more...

  • The Mind-Body Stageby R. Gobert

    Stanford University Press 2013; US$ 60.00

    Descartes's notion of subjectivity changed the way characters would be written, performed by actors, and received by audiences. His coordinate system reshaped how theatrical space would be conceived and built. His theory of the passions revolutionized our understanding of the emotional exchange between spectacle and spectators. Yet theater scholars... more...

  • Performance and the Politics of Spaceby Erika Fischer-Lichte; Benjamin Wihstutz

    Taylor and Francis 2013; US$ 125.00

    This collection asks what?s at stake when a theatrical space is created and when a performance takes place: under what circumstances the topology of theatre becomes political. It visits a politics of inclusion and exclusion, of distributions and placements, and of spatial appropriation and utopian concepts in theatre history and contemporary performance. more...

  • Theatre/Ecology/Cognitionby Teemu Paavolainen

    Palgrave Macmillan 2012; US$ 95.00

    How is performer-object interaction enacted and perceived in the theatre? How thereby are varieties of 'meaning' also enacted and perceived? Using cognitive theory and ecological ontology, Paavolainen investigates how the interplay of actors and objects affords a degree of enjoyment and understanding, whether or not the viewer speaks the language.... more...

  • Words, Space, and the Audienceby Michael Y. Bennett

    Palgrave Macmillan 2012; US$ 90.00

    Situating theatre in crucial moments in history and philosophy, this book reads four of the most influential plays through their contemporary epistemological debates between rationalism and empiricism. more...

  • Acoustic Interculturalismby Marcus Cheng Chye Tan

    Palgrave Macmillan 2012; US$ 90.00

    Acoustic Interculturalism is a study of the soundscapes of intercultural performance through the examination of sound's performativity. Employing an interdisciplinary approach, the book examines an akoumenological reception of sound to postulate the need for an acoustic knowing ? an awareness of how sound shapes the intercultural experience. more...

  • Philosophers and Thespiansby Freddie Rokem

    Stanford University Press 2009; US$ 22.95

    This book investigates the discursive practices of philosophy and theater/performance on the basis of actual encounters between representatives of these two fields. more...

  • (Syn)aestheticsby Josephine Machon

    Palgrave Macmillan 2009; US$ 31.00

    A timely book that identifies the practice of '(syn)aesthetics' in artistic style and audience response, which helps to articulate the power of experiential practice in the arts. This exciting new approach includes interviews with leading practitioners in of theatre, dance, site-specific work, live art and technological performance practice. more...

  • Presence in Playby Cormac Power

    Editions Rodopi 2008; US$ 67.20

    Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive survey and analysis of theatrical presence to be published. Theatre as an art form has often been associated with notions of presence. The ‘live’ immediacy of the actor, the unmediated unfolding of dramatic action and the ‘energy’ generated... more...