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- Palgrave Macmillan 2014; US$ 90.00
The Narrative Turn in Fiction and Theory explores the philosophical and historical underpinnings of the postwar crisis and return of storytelling and shows their relevance for the ongoing debate on the significance of narrative for human existence. more...
- Grosvenor House Publishing 2011; US$ 6.20
Another adventure from Joe & Lucy's story box. This time they go to Mossdown Woods where they want to 'I Spy' with all the creatures that live there. But they are in for a big surprise when they meet Laura the magical nature queen and the twig people who look after the trees and flowers there. The twig people are made from every letter of the alphabet... more...
- Taylor and Francis 2003; US$ 43.95
Like it or not, the term `postmodernism' seems to have lodged itself in our critical and theoretical discourses. We have a postmodern architecture, a postmodern dance, perhaps even a postmodern philosophy and a postmodern condition. But do we have a postmodernist fiction? In this trenchant and lively study Brian McHale undertakes to construct a version... more...
- Editions Rodopi 2012; US$ 70.20
The years following the attacks of September 11, 2001 have seen the publication of a wide range of scientific analyses of terrorism. Literary studies seem to lag curiously behind this general shift of academic interest. The present volume sets out to fill this gap. It does so in the conviction that the study of literature has much to offer to the transdisciplinary... more...
- Palgrave Macmillan 2013; US$ 90.00
Fictional narratives of the late twentieth century often cross boundaries. This study argues that the undoing of structure in postmodern art form demands a different way of thinking and represents a commentary on the material and social conditions of the late twentieth century and beyond. more...
- University of Delaware 2012; US$ 84.99
As the first book to use fiction as theory, Shakespeare and Contemporary Fiction reads backward to demonstrate how recent novelists redeploy foundling and lyric plots to uncover a Shakespeare who similarly challenges the mythological homogeneity that scripts us. more...
- University of Nebraska Press 2011; US$ 40.00
We tell ourselves stories in order to live, Joan Didion observed in The White Album. Why is this? Michael Austin asks, in Useful Fictions. Why, in particular, are human beings, whose very survival depends on obtaining true information, so drawn to fictional narratives? After all, virtually every human culture reveres some form of storytelling.... more...
- Palgrave Macmillan 2004; US$ 140.00
In this fascinating study, Peter Johnson makes explicit the issues involved in using the novel as a source in moral philosophy. The book pays close attention to questions of method, aesthetic accounts of the novel and the nature of ethical knowledge. The views of leading philosophers are examined and criticised in the light of the book's distinctive... more...
- Springer 2006; US$ 259.00
Presents a theory of fictional entities which is syncretistic insofar as it integrates the work of previous authors. This work puts forward a metaphysical conception of the nature of these entities, according to which a fictional entity is a compound entity built up from both a make-believe theoretical element and a set theoretical element. more...