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- Tectum Verlag 2014; US$ 32.39
'Die Dichter lügen' - nicht. Platons Vorwurf ist literaturwissenschaftlich längst entkräftet: Fiktionale literarische Texte erzählen Erfundenes - allerdings nicht, um den Leser zu täuschen, sondern um ihn unter Einhaltung bestimmter Spielregeln zu unterhalten. Was aber passiert, wenn eben diese Regeln verletzt werden - und literarische Texte Konventionen... more...
- Palgrave Macmillan 2013; US$ 90.00
Fictional narratives of the late twentieth century often cross boundaries. This study argues that the undoing of structure in postmodern art form demands a different way of thinking and represents a commentary on the material and social conditions of the late twentieth century and beyond. more...
- F+W Media 2012; US$ 17.99
Let's face it: Christian fiction is fun. Even if you're writing a serious-minded study of man's inhumanity to man, there is something exhilarating about story; about creating people and worlds and events; about telling a tale that keeps readers enraptured and maybe - just maybe - leaves them fortified in their walk with Jesus. But for all of the... more...
- Editions Rodopi 2012; US$ 70.20
The years following the attacks of September 11, 2001 have seen the publication of a wide range of scientific analyses of terrorism. Literary studies seem to lag curiously behind this general shift of academic interest. The present volume sets out to fill this gap. It does so in the conviction that the study of literature has much to offer to the transdisciplinary... more...
- University of Delaware 2012; US$ 84.99
As the first book to use fiction as theory, Shakespeare and Contemporary Fiction reads backward to demonstrate how recent novelists redeploy foundling and lyric plots to uncover a Shakespeare who similarly challenges the mythological homogeneity that scripts us. more...
- De Gruyter 2011; US$ 112.00
How does narratology relate to narrative strangeness? This question is urgent for narratologists who share a marked skepticism towards the idea of using ?natural? narratives as some kind of genetic model for understanding and interpreting all kinds of narratives, and for whom the distinction of fiction is important. This anthology presents a collection... more...
- Infobase Publishing 2011; US$ 45.00
Camus's landmark novel traces the aftermath of a shocking crime and the man whose fate is sealed with one rash and foolhardy act. The Stranger presents readers with a new kind of protagonist, a man unable to transcend the tedium and inherent absurdity of everyday existence in a world indifferent to the struggles and strivings of its human denizens.... more...
- Grosvenor House Publishing 2011; US$ 6.20
Another adventure from Joe & Lucy's story box. This time they go to Mossdown Woods where they want to 'I Spy' with all the creatures that live there. But they are in for a big surprise when they meet Laura the magical nature queen and the twig people who look after the trees and flowers there. The twig people are made from every letter of the alphabet... more...
- University of Nebraska Press 2011; US$ 40.00
We tell ourselves stories in order to live, Joan Didion observed in The White Album. Why is this? Michael Austin asks, in Useful Fictions. Why, in particular, are human beings, whose very survival depends on obtaining true information, so drawn to fictional narratives? After all, virtually every human culture reveres some form of storytelling.... more...