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- John Benjamins Publishing Company 1981; US$ 158.00
The Argentinian writer Julio Cortázar was clearly influenced by his predecessors John Keats and Edgar Allan Poe. However, to what extent? Which aspects of the two Romantics have been kept and which ones transformed by Cortázar?s imagination? And is there a common bond in the works of Keats and Poe which is also the common denominator for their works?... more...
- University of Wales Press 2011; US$ 150.00
This book explores the themes of displacement, exile and migration in the work of the most important Argentine poets since the 1950s. The book outlines the poetry of key authors in the second half of the twentieth century as well as writing by younger poets at the turn of the century. It includes generous selections of the original poems with new translations... more...
- Editions Rodopi 2011; US$ 85.80
The Maori of New Zealand, a nation that quietly prides itself on its pioneering egalitarianism, have had to assert their indigenous rights against the demographic, institutional, and cultural dominance of Pakeha and other immigrant minorities European, Asian, and Polynesian in a postcolonial society characterized by neocolonial structures... more...
- Oxford University Press, USA 2003; US$ 15.99
Eugenio Cambaceres was the first to introduce the naturalist manner of Emile Zola. to Argentinean literature in the late nineteenth century. The work of Cambaceres, a. precursor to the contemporary Argentinean novel, is crucial for an understanding of. the period of consolidation of Argentina, the formation of a national identity, and. especially for... more...
- Boydell & Brewer 2014; US$ 99.00
This Companion offers an overview and assessment of Mario Vargas Llosa's large body of work, tracing his development as a writer and intellectual in his essays, critical studies, journalism, and theatrical works, but above all in his novels. more...
- Bernard Campiche Editeur 2013; US$ 17.99
Nous sommes trois peut-être quatre/ dans ce cinéma/ Un après-midi/ Un monsieur est venu s'asseoir dans le fauteuil à côté de moi/ Il doit avoir une cinquantaine d'années/ À l'écran trois garçons/ baisent/ Le monsieur de cinquante ans/ a sorti sa bite/ grosse/ À l'écran les garçons changent de position/ Je sors du cinéma * Je peux affirmer aujourd'hui... more...
- Melbourne University Press 2012; Not Available
Dorfman portrays, through visceral scenes and powerful intellect, the personal and political maelstroms underlying his migrations from Buenos Aires, on the run from Pinochet’s death squads, to safe houses in Paris and Amsterdam, and eventually to America, his childhood home. The toll on Dorfman's wife and two sons, the ‘earthquake of language’ that... more...