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By period

  • Performance Theatre and the Poetics of Failureby Sara Jane Bailes

    Taylor and Francis 2011; US$ 47.95

    What does it mean to "fail" in performance, or more accurately, to stage failure in performance? What do performances that are founded upon the collapse of their own invention illuminate that other modes of theatre usually conceal? This book examines these questions through theoretical and archival modes of investigation. more...

  • From Yesterday to TODAYby Stephen Battaglio

    Running Press 2012; US$ 30.00

    ?When Dave Garroway welcomed viewers to Today on that day in 1952, he ushered in a new era in broadcasting. . . . It was a place where viewers could turn to each morning to satisfy their appetite for all things news and information. It was a destination for the curious to learn more about what had happened overnight and how the day ahead might shape... more...

  • The Theatre of Revoltby Robert Brustein

    Ivan R. Dee 1991; US$ 18.99

    Focusing on Ibsen, Strindberg, Chekhov, Shaw, Brecht, Pirandello, O?Neill, and Genet, Mr. Brustein uncovers the roots of the modern theatre in the soil of the rebellion they cultivated. ?One of the standard and decisive books on the modern theater.?? New York Times . more...

  • Murder by Accidentby Jody Enders

    University of Chicago Press 2009; US$ 36.00

    Over fifty years ago, it became unfashionable—even forbidden—for students of literature to talk about an author’s intentions for a given work. In Murder by Accident , Jody Enders boldly resurrects the long-disgraced concept of intentionality, especially as it relates to the theater. Drawing on four fascinating medieval events... more...

  • Virtual Theatresby Gabriella Giannachi

    Taylor and Francis 2004; US$ 47.95

    The first full-length book of its kind to offer an investigation of the interface between theatre, performance and digital arts, Virtual Theatres presents the theatre of the twenty-first century in which everything ? even the viewer ? can be simulated. more...

  • Festivalisingby Temple Hauptfleisch; Shulamith Lev-Aladgem; Jacqueline Martin

    Editions Rodopi 2007; US$ 93.80

    Throughout the world festivals are growing – in numbers, in size, in significance – and serve as spaces where aesthetic encounters, religious and political celebrations, economic investments and public entertainment can take place. In this sense, festivals are theatrical events.This volume contains discussions of 14 diverse festival events... more...

  • A Self Made of Wordsby Carl H. Klaus

    University of Iowa Press 2013; US$ 18.00

    Confident or fretful, solemn or sassy, tough or tender, casual or formal: the self you project in writing—your persona—is the byproduct of numerous decisions you make about what to say and how to say it. Though any single word or phrase or sentence might make little difference within the scope of an entire essay or book, collectively... more...

  • The First Five Pagesby Noah Lukeman

    Touchstone 2010; US$ 14.99

    IF YOU'RE TIRED OF REJECTION, THIS IS THE BOOK FOR YOU. Whether you are a novice writer or a veteran who has already had your work published, rejection is often a frustrating reality. Literary agents and editors receive and reject hundreds of manuscripts each month. While it's the job of these publishing professionals to be discriminating, it's... more...

  • Schriften zur Theater- und Kulturgeschichte des 18. Jahrhundertsby Reinhart Meyer; Matthias J. Pernerstorfer

    Hollitzer Wissenschaftsverlag 2012; US$ 32.66

    Hauptbeschreibung "Bibliographien und Repertorien sind nicht nur Titellisten. Sie liefern Grundlagenmaterial für eine empirisch arbeitende Literarhistorie und Theaterwissenschaft; sie liefern den Rahmen und sichern Vergleichs- und Bezugsmöglichkeiten von Einzeldaten zwar vorerst nur im quantitativen Bereich, aus dem sich aber Folgerungen in qualitativer... more...

  • La Mise en Scene Contemporaineby Patrice Pavis

    Taylor and Francis 2013; US$ 45.95

    ?We have good reason to be wary of mise en scène, but that is all the more reason to question this wariness ... it seems that images from a performance come back to haunt us, as if to prolong and transform our experience as spectators, as if to force us to rethink the event, to return to our pleasure or our terror.? ? Patrice Pavis, from the foreword... more...