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- Taylor and Francis 2015; US$ 47.95
'Actors always talk about what the audience does. I don?t understand, we are just sitting here.' Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research... more...
- Hodder & Stoughton 2014; US$ 21.00
There is no precise formula for writing a bestseller, but there are secrets, skills and techniques that will dramatically improve your odds of publishing a bestselling novel. Whatever your motivation - whether sick of rejections, getting ready to approach a publisher, or with an idea you think is unbeatable - you need to read this book before you do... more...
- Taylor and Francis 2014; US$ 44.95
Cold War Theatre, first published in 1992, provides an account of the theatrical history within the context of East/West politics. Its geographical span ranges from beyond the Urals to the Pacific Coast of the US, and asks whether the Cold War confrontation was not in part due to the cultural climate of Europe. Taking the McCarthy era as its starting... more...
- Nick Hern Books 2014; US$ 15.99
An important verbatim play about the 2011 London Riots, by the author of the award-winning London Road. In the summer of 2011, London was burning. Alecky Blythe took her dictaphone to the streets From the helicopters circling overhead to the burnt out buildings on the street, this explosive play records the voices and stories of a community... more...
- University of Iowa Press 2013; US$ 18.00
Confident or fretful, solemn or sassy, tough or tender, casual or formal: the self you project in writing?your persona?is the byproduct of numerous decisions you make about what to say and how to say it. Though any single word or phrase or sentence might make little difference within the scope of an entire essay or book, collectively they create... more...
- Palgrave Macmillan 2013; US$ 90.00
Collective creation - the practice of collaboratively devising works of performance - rose to prominence not simply as a performance making method, but as an institutional model. By examining theatre practices in Europe and North America, this book explores collective creation's roots in the theatrical experiments of the early twentieth century. more...
- Taylor and Francis 2013; US$ 50.95
?We have good reason to be wary of mise en scène, but that is all the more reason to question this wariness ... it seems that images from a performance come back to haunt us, as if to prolong and transform our experience as spectators, as if to force us to rethink the event, to return to our pleasure or our terror.? ? Patrice Pavis, from the foreword... more...
- F+W Media 2011; US$ 16.99
Give your story a solid foundationa plot that engages readers from start to finish! The best stories linger in the hearts and minds of readers for decades. These tales gain their power through plots that connect with the audience on both an emotional and intellectual level. Inside Ronald B. Tobias details these 20 time-tested plots. Each is... more...
- Taylor and Francis 2011; US$ 47.95
What does it mean to "fail" in performance? How might staging failure reveal theatre?s potential to expand our understanding of social, political and everyday reality? What can we learn from performances that expose and then celebrate their ability to fail? In Performance Theatre and the Poetics of Failure , Sara Jane Bailes begins with Samuel... more...
- Palgrave Macmillan 2010; US$ 95.00
Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of 'vectors of the radical' shape the avant-garde. Mapping the movement of scripts, theatre activists, performances, and other material entities, they provide unprecedented perspectives on the transnational performance culture of the avant-garde. more...