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- F+W Media 2011; US$ 16.99 US$ 15.29
Give your story a solid foundationa plot that engages readers from start to finish! The best stories linger in the hearts and minds of readers for decades. These tales gain their power through plots that connect with the audience on both an emotional and intellectual level. Inside Ronald B. Tobias details these 20 time-tested plots. Each is... more...
- Taylor and Francis 2015; US$ 47.95
'Actors always talk about what the audience does. I don?t understand, we are just sitting here.' Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research... more...
- Palgrave Macmillan 2010; US$ 95.00
Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of 'vectors of the radical' shape the avant-garde. Mapping the movement of scripts, theatre activists, performances, and other material entities, they provide unprecedented perspectives on the transnational performance culture of the avant-garde. more...
- Taylor and Francis 2014; US$ 44.95
Cold War Theatre, first published in 1992, provides an account of the theatrical history within the context of East/West politics. Its geographical span ranges from beyond the Urals to the Pacific Coast of the US, and asks whether the Cold War confrontation was not in part due to the cultural climate of Europe. Taking the McCarthy era as its starting... more...
- Taylor and Francis 2013; US$ 50.95
?We have good reason to be wary of mise en scène, but that is all the more reason to question this wariness ... it seems that images from a performance come back to haunt us, as if to prolong and transform our experience as spectators, as if to force us to rethink the event, to return to our pleasure or our terror.? ? Patrice Pavis, from the foreword... more...
- Editions Rodopi 2007; US$ 98.00
In contrast to narrative, description is a much less researched phenomenon, and where it so far has found attention at all, scholars have almost always discussed it with fiction in mind. The all but exclusive concentration on literature has hitherto obscured the fact that description transcends literature and indeed the verbal media in general and... more...
- Editions Rodopi 2007; US$ 93.80
Throughout the world festivals are growing in numbers, in size, in significance and serve as spaces where aesthetic encounters, religious and political celebrations, economic investments and public entertainment can take place. In this sense, festivals are theatrical events.This volume contains discussions of 14 diverse festival events... more...
- Touchstone 2010; US$ 16.00
IF YOU'RE TIRED OF REJECTION, THIS IS THE BOOK FOR YOU. Whether you are a novice writer or a veteran who has already had your work published, rejection is often a frustrating reality. Literary agents and editors receive and reject hundreds of manuscripts each month. While it's the job of these publishing professionals to be discriminating, it's... more...
- Palgrave Macmillan 2013; US$ 90.00
Collective creation - the practice of collaboratively devising works of performance - rose to prominence not simply as a performance making method, but as an institutional model. By examining theatre practices in Europe and North America, this book explores collective creation's roots in the theatrical experiments of the early twentieth century. more...
- Springer Netherlands 2006; US$ 184.63
This book is devoted to fictional entities or, to be more precise, fictional entities as they emerge from the literary process of storytelling. They encompass the great immortal figures in human literature?Don Quixote, Faust, Sherlock Holmes and so on?as well as the protagonists of single novels such as Anna Karenina, Emma Woodhouse and Emma Bovary... more...