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  • Voice: Onstage and Offby Robert Barton; Rocco dal Vera

    Taylor and Francis 2011; US$ 44.95

    Voice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Every aspect of vocal work is covered, from the initial speech impulse and the creation of sound, right through to refining the final product in different types of performance. This highly adaptable course of study empowers... more...

  • Performing Remainsby Rebecca Schneider

    Taylor and Francis 2011; US$ 44.95

    'At last, the past has arrived! Performing Remains is Rebecca Schneider's authoritative statement on a major topic of interest to the field of theatre and performance studies. It extends and consolidates her pioneering contributions to the field through its interdisciplinary method, vivid writing, and stimulating polemic. Performing Remains has... more...

  • Before Sunrise & Before Sunsetby Richard Linklater

    Knopf Doubleday Publishing Group 2008; US$ 15.95

    In one volume, the screenplays to two contemporary classics, directed by Richard Linklater, and starring Ethan Hawke and Julie Delpy, about the immediate and life-altering attraction between two strangers. On a train from Budapest to Vienna, Jesse, a young American student, at the end of a romance and his European trip, meets Celine, a young French... more...

  • Laughterby Henri Bergson; Cloudesley Brereton; Fred Rothwell

    The Floating Press 1914; US$ 5.95

    What does laughter mean? What is the basal element in the laughable? What common ground can we find between the grimace of a merry- andrew, a play upon words, an equivocal situation in a burlesque and a scene of high comedy? What method of distillation will yield us invariably the same essence from which so many different products borrow either their... more...

  • Expressive Voice Cultureby Jessie Eldridge Southwick

    The Floating Press 1900; US$ 6.95

    The Emerson System treats the voice as a natural reporter of the individual, constantly emphasizing the tendency of the voice to express appropriately any mental concept or state of feeling. This treatise is a setting forth of methods and principles based upon this idea with a fuller elaboration of the relation of technique to expression. By concentration... more...

  • The Screenwriter's Workbook (Revised Edition)by Syd Field

    Random House Publishing Group 2008; US$ 17.00

    At last! The classic screenwriting workbook?now completely revised and updated?from the celebrated lecturer, teacher, and bestselling author, Syd Field: ?the most sought-after screenwriting teacher in the world?* No one knows more about screenwriting than Syd Field?and now the ultimate Hollywood insider shares his secrets and expertise, completely... more...

  • Ant Farmby Simon Rich

    Random House Publishing Group 2009; US$ 12.95

    In Ant Farm , former Harvard Lampoon president Simon Rich finds humor in some very surprising places. Armed with a sharp eye for the absurd and an overwhelming sense of doom, Rich explores the ridiculousness of our everyday lives. The world, he concludes, is a hopelessly terrifying place?with endless comic potential. ?If your girlfriend gives you... more...

  • The Americanization of Edward Bokby Edward William Bok

    The Floating Press 1920; US$ 5.95

    The Americanization of Edward Bok is an autobiography, told in the third person, that shares the life of a little Dutch boy unceremoniously set down in America unable to make himself understood or even to know what persons were saying; his education extremely limited, practically negligible; and yet, by some curious decree of fate, he was destined... more...

  • We've Got it Made in Americaby John Ratzenberger; Joel Engel

    Center Street 2009; US$ 10.99

    The host of the Travel Channel's "John Ratzenberger's Made in America" presents a collection of thought-provoking essays on what makes America the great nation that it is today. more...

  • How to Write a Playby Various

    The Floating Press 1916; US$ 6.99

    An education is likely to take the dramatist a great deal of time - unless he is so fortunate as to be a genius. Perhaps the main difference between the play-writing genius and the rest of us is that he can associate but briefly with audiences and know it all, whereas we must spend our lives at it and know but little. I have never happened to hear... more...