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- University of Nebraska Press 2011; US$ 40.00
We tell ourselves stories in order to live, Joan Didion observed in The White Album. Why is this? Michael Austin asks, in Useful Fictions. Why, in particular, are human beings, whose very survival depends on obtaining true information, so drawn to fictional narratives? After all, virtually every human culture reveres some form of storytelling.... more...
- University of Nebraska Press 2011; US$ 35.00
The most accessible approach yet to childrens literature and narrative theory, Telling Childrens Stories is a comprehensive collection of never-before-published essays by an international slate of scholars that offers a broad yet in-depth assessment of narrative strategies unique to childrens literature. more...
- Cambridge University Press 1993; US$ 42.00
This book explores the various meanings given to tragedy, from Aristotle, via Roman ideas and practices, to the middle ages. more...
- Cambridge University Press 2001; US$ 50.00
Examines the formation of cultural identity in Taiwan and mainland China through paradigmatic films. more...
- Palgrave Macmillan 2010; US$ 90.00
Assembling a remarkable group of scholars, these essays†explore how the circulation and exchange of 'vectors of the radical' shape the avant-garde. Mapping the movement of scripts, theatre activists, performances, and other material entities, they provide unprecedented perspectives on the transnational performance culture of the avant-garde. more...
- John Hunt Publishing 2010; US$ 9.99
Post-Cinematic Affect is about what it feels like to live in the affluent West in the early 21st century. Specifically, it explores the structure of feeling that is emerging today in tandem with new digital technologies, together with economic globalization and the financialization of more and more human activities. The 20th century was the age of... more...
- Taylor and Francis 2011; US$ 41.95
Neo-Feminist Cinema examines how Hollywood has responded to women?s changing social roles. Radner pays particular attention to how the contemporary woman?s film portrays what some have called postfeminism and what the author redefines as neo-feminism, represented by figures such as Helen Gurley Brown?women for whom work was a necessity, rather than... more...