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- The Floating Press 1914; US$ 5.95
What does laughter mean? What is the basal element in the laughable? What common ground can we find between the grimace of a merry- andrew, a play upon words, an equivocal situation in a burlesque and a scene of high comedy? What method of distillation will yield us invariably the same essence from which so many different products borrow either their... more...
- The Floating Press 1900; US$ 6.95
The Emerson System treats the voice as a natural reporter of the individual, constantly emphasizing the tendency of the voice to express appropriately any mental concept or state of feeling. This treatise is a setting forth of methods and principles based upon this idea with a fuller elaboration of the relation of technique to expression. By concentration... more...
- Random House Publishing Group 2008; US$ 16.00
At last! The classic screenwriting workbook?now completely revised and updated?from the celebrated lecturer, teacher, and bestselling author, Syd Field: ?the most sought-after screenwriting teacher in the world?* No one knows more about screenwriting than Syd Field?and now the ultimate Hollywood insider shares his secrets and expertise, completely... more...
- The Floating Press 1920; US$ 5.95
The Americanization of Edward Bok is an autobiography, told in the third person, that shares the life of a little Dutch boy unceremoniously set down in America unable to make himself understood or even to know what persons were saying; his education extremely limited, practically negligible; and yet, by some curious decree of fate, he was destined... more...
- The Floating Press 2009; US$ 6.99
Herbert Spencer was an English philosopher and prominent social theorist of the Victorian era. In his work The Philosophy of Style he argues that written language should be as easy to understand as possible, allowing for the most effective and efficient possible communication. His suggestions for sentence structure supported ideas on formalist rhetoric. more...
- The Floating Press 1916; US$ 6.99
An education is likely to take the dramatist a great deal of time - unless he is so fortunate as to be a genius. Perhaps the main difference between the play-writing genius and the rest of us is that he can associate but briefly with audiences and know it all, whereas we must spend our lives at it and know but little. I have never happened to hear... more...
- The Floating Press 1919; US$ 5.99
You can acquire valuable knowledge for use in your own public speaking by studying the successful methods of other men. This does not mean, however, that you are to imitate others, but simply to profit by their experience and suggestions in so far as they fit in naturally with your personality. All successful speakers do not speak alike. Each man has... more...
- The Floating Press 1920; US$ 5.99
The power of eloquence to move and persuade men is universally recognized. To-day the public speaker plays a vital part in the solution of every great question and problem. Oratory, in the true sense, is not a lost art, but a potent means of imparting information, instruction, and persuasion. Eloquence is still "the appropriate organ of the highest... more...
- The Floating Press 1900; US$ 6.99
This book is an attempt to put into definite form the principles observed by the masters of the short story in the practice of their art. It is the result of a careful study of their work, of some indifferent attempts to imitate them, and of the critical examination of several thousands of short stories written by amateurs. It is designed to be of... more...