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  • Theory/Theatre: An Introductionby Mark Fortier

    Taylor and Francis 2002; US$ 30.95

    Theory/Theatre: An Introduction provides a unique and engaging introduction to literary theory as it relates to theatre and performance. Mark Fortier lucidly examines current theoretical approaches, from semiotics, poststructuralism, to cultural materialism, postcolonial studies and feminist theory. Drawing upon examples from Shakespeare and Aphra... more...

  • Anthropocosmic Theatreby Nichos Nunez

    Taylor and Francis 2005; US$ 52.95

    First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company. more...

  • A Sourcebook on Naturalist Theatreby Christopher Innes

    Taylor and Francis 2002; US$ 49.95

    A Sourcebook on Naturalist Theatre provides essential primary sources which document one of the key movements in modern theatre. Christopher Innes has selected three writers to exemplify the movement, and six plays in particular: * Henrik Ibsen - A Dolls House and Hedda Gabler * Anton Chekhov - The Seagull and The Cherry Orchard * George... more...

  • Contemporary Feminist Theatresby Lizbeth Goodman

    Taylor and Francis 2003; US$ 52.95

    Contemporary Feminist Theatres is a major evaluation of the forms feminism has taken in the theatre since 1968. Lizbeth Goodman provides a provocative and interdisciplinary study of the development of feminist theatres in Britain. She examines the treatment of key issues such as gender, race, sexuality, language and power in performance. Based on... more...

  • Contemporary Theatres in Europeby Joe Kelleher; Nicholas Ridout

    Taylor and Francis 2006; US$ 41.95

    Through specific examples, case studies and essays by specialist writers, academics, and a new generation of theatre researchers, this collection of specially commissioned essays looks at current theatre practices across Europe. From Thatre du Soleil to Socetas Raffaello Sanzio , the authors reconsider the possibilities of theatre practice,... more...

  • Laughterby Henri Bergson; Cloudesley Brereton; Fred Rothwell

    The Floating Press 1914; US$ 5.95

    What does laughter mean? What is the basal element in the laughable? What common ground can we find between the grimace of a merry- andrew, a play upon words, an equivocal situation in a burlesque and a scene of high comedy? What method of distillation will yield us invariably the same essence from which so many different products borrow either their... more...

  • Expressive Voice Cultureby Jessie Eldridge Southwick

    The Floating Press 1900; US$ 6.95

    The Emerson System treats the voice as a natural reporter of the individual, constantly emphasizing the tendency of the voice to express appropriately any mental concept or state of feeling. This treatise is a setting forth of methods and principles based upon this idea with a fuller elaboration of the relation of technique to expression. By concentration... more...

  • The Americanization of Edward Bokby Edward William Bok

    The Floating Press 1920; US$ 5.95

    The Americanization of Edward Bok is an autobiography, told in the third person, that shares the life of a little Dutch boy unceremoniously set down in America unable to make himself understood or even to know what persons were saying; his education extremely limited, practically negligible; and yet, by some curious decree of fate, he was destined... more...

  • How to Write a Playby Various

    The Floating Press 1916; US$ 6.99

    An education is likely to take the dramatist a great deal of time - unless he is so fortunate as to be a genius. Perhaps the main difference between the play-writing genius and the rest of us is that he can associate but briefly with audiences and know it all, whereas we must spend our lives at it and know but little. I have never happened to hear... more...

  • The Philosophy of Styleby Herbert Spencer

    The Floating Press 2009; US$ 6.99

    Herbert Spencer was an English philosopher and prominent social theorist of the Victorian era. In his work The Philosophy of Style he argues that written language should be as easy to understand as possible, allowing for the most effective and efficient possible communication. His suggestions for sentence structure supported ideas on formalist rhetoric. more...