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Puro Arte

Filipinos on the Stages of Empire

Puro Arte by Lucy Mae San Pablo Burns
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Winner of the 2012 Outstanding Book Award in Cultural Studies, Association for Asian American Studies 
 
Puro Arte explores the emergence of Filipino American theater and performance from the early 20th century to the present. It stresses the Filipino performing body's location as it conjoins colonial histories of the Philippines with U.S. race relations and discourses of globalization.
 
Puro arte, translated from Spanish into English, simply means “pure art.” In Filipino, puro arte however performs a much more ironic function, gesturing rather to the labor of over-acting, histrionics, playfulness, and purely over-the-top dramatics. In this book, puro arte functions as an episteme, a way of approaching the Filipino/a performing body at key moments in U.S.-Philippine imperial relations, from the 1904 St. Louis World’s Fair, early American plays about the Philippines, Filipino patrons in U.S. taxi dance halls to the phenomenon of Filipino/a actors in Miss Saigon. Using this varied archive, Puro Arte turns to performance as an object of study and as a way of understanding complex historical processes of racialization in relation to empire and colonialism.
NYU Press; December 2012
205 pages; ISBN 9780814744499
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Title: Puro Arte
Author: Lucy Mae San Pablo Burns
 
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ISBNs
0814708137
9780814708132
9780814725450
9780814744499