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Italian National Cinema

Italian National Cinema by Pierre Sorlin
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From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
Taylor and Francis; August 2006
213 pages; ISBN 9781134817771
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Title: Italian National Cinema
Author: Pierre Sorlin