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The Power of the Passive Self in English Literature, 1640–1770

The Power of the Passive Self in English Literature, 1640–1770 by Scott Paul Gordon
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Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines selves as more passively prompted than actively choosing. This tradition - which Scott Paul Gordon locates in seventeenth-century religious discourse, in early eighteenth-century moral philosophy, in mid eighteenth-century acting theory, and in the emergent novel - resists autonomy and defers agency from the individual to an external 'prompter'. Gordon argues that the trope of passivity aims to guarantee a disinterested self in a culture that was increasingly convinced that every deliberate action involves calculating one's own interest. Gordon traces the origins of such ideas from their roots in the non-conformist religious tradition to their flowering in one of the central texts of eighteenth-century literature, Samuel Richardson's Clarissa.
Cambridge University Press; March 2002
293 pages; ISBN 9780511029653
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Title: The Power of the Passive Self in English Literature, 1640–1770
Author: Scott Paul Gordon
 
ISBNs
0511029659
9780511029653
9780521810050