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Memory and Forgetting in English Renaissance Drama

Shakespeare, Marlowe, Webster

Memory and Forgetting in English Renaissance Drama by Garrett A. Sullivan
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Engaging debates over the nature of subjectivity in early modern England, this fascinating and original study examines sixteenth- and seventeenth-century conceptions of memory and forgetting, and their importance to the drama and culture of the time. Garrett A. Sullivan, Jr discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are conceptualized. Drawing upon a range of literary and non-literary discourses, represented by treatises on the passions, sermons, anti-theatrical tracts, epic poems and more, Shakespeare, Marlowe and Webster stage 'self-recollection' and, more commonly, 'self-forgetting', the latter providing a powerful model for dramatic subjectivity. Focusing on works such as Macbeth, Hamlet, Dr Faustus and The Duchess of Malfi, Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice.
Cambridge University Press; September 2005
196 pages; ISBN 9780511131240
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Title: Memory and Forgetting in English Renaissance Drama
Author: Garrett A. Sullivan
 
ISBNs
0511131240
9780511131240
9780521848428